"Kudos of the week ... go to Natalie Menna and Brad Fryman ... sure candidates for stage couple of the year." [Dance of Death I and II]

Michael Dale, Broadway World

"Among strong performances all around, Menna is terrific as the embittered but not (entirely) cowed Alice." [Dance of Death I and II]

John R. Ziegler and Leah Richards,Thinking Theater NYC

"Natalie Menna as Tekla was a convincing flirt, even with her husband ..." [Creditors]

Paul Berss, New York Theatre Wire

"Menna, as always, is superb at lacing scenes with complexity and nuance ..." [Creditors]

Eva Whalen, Beauty News NYC

"Natalie Menna's Hedda was particularly charming, vibrant, sparkling ... her destiny bitterly ironic and heartbreaking." [Hedda Gabler]

Edward Kliszus, Front Row Center

"Hedda's character was the play's centerpiece, masterfully played by Natalie Menna, who imbued her with a complex, nuanced mix of rebellious intelligence, frustration, tenderness, strength, deviousness, stubbornness and flirtation, much like the bored and self-centered Scarlett O'Hara character in Gone with the Wind". [Hedda Gabler]

Eva Whalen, Beauty News NYC

"Menna lends an engrossing authenticity to the increasing pressures on Leigh." [Orson's Shadow]

John R. Ziegler and Leah Richards, Thinking Theater NYC

"Natalie Menna as Vivien Leigh shows us a poised if wronged, even disenchanted woman, sophisticated, accomplished and ... the queen in this kingdom or queendom." [Orson's Shadow]

David Solloway, Encore Theater Reviews

"Natalie Menna breaks one's heart as Leigh, and as Leigh did in life, Olivier's, and many others who knew and played with her. Menna possesses that sensitivity that projects a palpable pain for the audience." [Orson's Shadow]

Charles E. Gerber, Splash Magazines